Film Studies Minor

Susan Sontag said that "Camp discloses innocence, but when it can, it corrupts it." Perhaps no film corrupts innocence more than Turbo Kid (2015). In this episode, we explore what makes the film campy, and Jackson tries to make us believe that "the far-flung future" is an actual phrase.   Website Instagram Twitter Facebook YouTube If you have a film/topic that you want to hear discussed on the podcast, submit it here. Vote in the FSM Film Rankings.