New Books In Literary Studies

Winner of the 2013 Samuel Johnson Prize, Lucy Hughes-Hallett‘s biography of Gabriele d’Annunzio is a book with a big mission: to write inventively about the life of someone with whom most everyone outside of Italy is entirely unfamiliar whilst also promoting the literary legacy of a man celebrated within his own country and little translated (much less read) everywhere else. In the end, Gabriele d’Annunzio: Poet, Seducer, and Preacher of War (Knopf, 2013) succeeds on both fronts, which is precisely why it remains one of the most lauded biographies of the last year. It’s not a straightforward day-by-day narrative. Rather, the story zooms in and out, taking flight and exuberantly soaring through whole weeks, months, years only to, at other moments, slow down to sensuously revel in the details of a weekend on the beach or an afternoon spent in bed. There’s something about this technique that beautifully mimics the ways in which we often reflect upon our own lives, with whole boring

Robert Mitchell‘s new book is wonderfully situated across several intersections: of history and literature, of the Romantic and contemporary worlds, of Keats’ urn and a laboratory cylinder full of dry ice. In Experimental Life: Vitalism in Romantic Science and Literature (Johns Hopkins University Press, 2013), Mitchell argues that we are in the midst of a vitalist turn in the humanities, social sciences, and natural sciences, and that this is only the latest in a series of eras of what he calls “experimental vitalism.” Experimental Life is largely devoted to exploring the first of those eras by tracing an experimental vitalism through a wide range of Romantic textual worlds from the late eighteenth and early nineteenth centuries. After a wonderful discussion of the meanings of the “experimental” in the arts and sciences, Mitchell’s book proceeds to look at a series of cases through which we can understand how Romantic thinkers sought out the points of perplexity in vi

In The Real Modern: Literary Modernism and the Crisis of Representation in Colonial Korea (Harvard University Asia Center, 2013), Christopher P. Hanscom explores literary modernism in the work of three writers who were central to literary production in 1930s Korea. After introducing a useful critique of the standard approach to literary history and realism therein, the book unfolds in three pairs of chapters that each introduce a major figure in the study and offer a close reading of their work as a way to open up a larger theme and aspect of the book’s argument. Hanscom thus expertly guides us through the literary criticism and fictional work of three members of a modernist collective known as the Group of Nine: Pak T’aewon, Kim Yujong, and Yi T’aejun. Each of them was struggling with a larger “crisis of representation” and taking a skeptical stance toward the capacity of language to correspond to the world beyond. In Pak’s work we were a concern with a colonial “dou

From the end of the nineteenth century through the middle of the twentieth, Paris was a center for the publication of numerous English-language books, including many of a sexually explicit, pornographic nature. Colette Colligan‘s new book, A Publisher’s Paradise: Expatriate Literary Culture in Paris, 1890-1960 (University of Massachusetts Press, 2014) explores the rich and fascinating history of these “Paris editions” across seven decades of literary publishing in France, in English. Troubling too-simplistic notions of British prudishness versus French sexual liberalism and “high” versus “low” literatures, Colligan’s book makes a significant contribution to our understanding of Paris’s expatriate past, a past that remains part of the city’s mythology to this day. The book includes discussion of the cultural, legal, and commercial sides of this story, as well as closer textual analyses of some key examples of “degraded” and high mod

Alex Haley’s 1976 book Roots: The Saga of an American Family still stands as a memorable epic journey into the history of African Americans during the enslavement period and after. The 1977 televised miniseries was a must-watch event of the day, and it remains an important production in television history. However, a little more than a decade after his success, Haley was in trouble. His wealth had dwindled and he had strained relationships with other writers. What happened? Adam Henig tells us in his new book Alex Haley’s Roots: An Author’s Odyssey (2014). Listen to this lively interview with the author.Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Darnton, author of books, articles, and Carl H. Pforzheimer University Professor and Director of the University Library at Harvard. Darnton joins host Jonathan Judaken to discuss the future of libraries, the printed press, and his project – the Digital Public Library of America, or D.P.L.A. – which he hopes will foster a culture of “Open Access” to help promote the free communication of knowledge and sharing of intellectual wealth in order to create this “digital commonwealth.”Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s always a joy when I have the opportunity to talk with the author of a book that is clearly a game-changer for its field. In The Bamboo Texts of Guodian: A Study and Complete Translation (Cornell University East Asia Series, 2012), Scott Cook has given us a work that will change the possibilities of researching, writing about, and teaching the history of early China and beyond. The book is a massive two-volume study, transcription, and translation of the bamboo texts recovered in 1993 from a tomb in the village of Guodian in Hubei Province. In an extensive introduction to the volumes and the project, Cook discusses the challenges and processes of sorting and arranging the texts, reading and interpreting the characters in Chu script, transcribing and interpreting the graphs, and translating the texts for Anglophone readers. The book considers some of the ways that the texts (individually and collectively) contribute to the history of Chinese philosophy in some exciting ways. It offers both a detailed

Erin Khue Ninh is the author of Ingratitude: The Debt-Bound Daughter in Asian American Literature (New York University Press, 2011), which in 2013, won the Literary Studies Book Award from the Association for Asian American Studies. Ingratitude investigates the figure of the daughter in Asian American literature, which has lately been dismissed as a figure that downplays political and historical conflict by fulfilling model minority achievement. Ninh responds to this view by seeing the immigrant family as a form of capitalist enterprise, and thus the Asian American daughter as a locus of conflicting power. Through literary analyses of texts by Jade Snow Wong, Maxine Hong Kingston, Evelyn Lau and others, Ninh explores the figure of the Asian American daughter as a debtor, whose obligation to the parents are always designated to fail, and whose rebellion comes in the form of sexual freedom and through the act of writing itself.Learn more about your ad choices. Visit megaphone.fm/adchoices

Sandrine Sanos‘s new book, The Aesthetics of Hate: Far-Right Intellectuals, Antisemitism and Gender in 1930s France (Stanford University Press, 2013), examines the central roles that gender, sexuality, and race played in the far-right ideologies of the 1930s. Re-reading the work and ideas of a group of male intellectuals known as the Jeune Droite or “Young New Right,” Sanos argues that aesthetics and politics were deeply intertwined in these authors’ representations of a crisis of French civilization and in the antisemitic, racist, and misogynist responses they articulated. Figures like Maurice Blanchot and Louis-Ferdinand Celine were some of the most famous members of an intellectual movement that elaborated an “aesthetics of hate” in which Jews, women, and homosexuals figured as emblems of decadence and decline. The book also traces in fascinating ways some of the crucial links between French anti-Semitism and imperialism, examining connections between metropolitan and co

We all know the commonplace that we shouldn’t judge a book by its cover. After reading Metawritings: Toward a Theory of Nonfiction (University of Iowa Press, 2012), I’m inclined to extend this wisdom to titles. Though accurate, Metawritings doesn’t capture the storytelling power that editor Jill Talbot gathers in this collection of essays and interviews by thirteen fiction and nonfiction writers. In it, you’ll find a piece by Robin Hemley that opens, “It’s my first full day in Prague, and I desperately want to find someone to pickpocket me.” Or this one by Sarah Blackman that begins, “Once a person has been a girl, it’s hard to write about the subject.” You’ll find a pithy investigation into dating and a poignant account of a son reckoning with an estranged, ageing father. You’ll find writers in pursuit of Janis Joplin and going on blind dates, writers wrestling with the soul-crushing ugliness of Las Vegas and exploring the exotic dangers

Julia H. Lee is the author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011). Dr. Lee is an Assistant Professor in the department of Asian American Studies at the University of California, Irvine. Interracial Encounters investigates the overlapping of African American and Asian American literature. By focusing on the diverse attitudes that blacks and Asian Americans had towards each other, Dr. Lee pushes against dominant conceptions of these groups as either totally cooperative or as totally antagonistic. Lee also explores how American nationalism was produced through this comparison, and shows how Afro-Asian representations allowed readers and writers to consider alliances outside of the American nation-state.Learn more about your ad choices. Visit megaphone.fm/adchoices

By any measure, David Tod Roy‘s translation The Plum in the Golden Vase or, Chin P’ing Mei, Vol. 1-5 (Princeton University Press, 1993-2013) is a landmark achievement for East Asian Studies, translation studies, and world literature. Comprising 100 chapters rendered across five volumes, including more than 800 named characters and supported by more than 4,000 endnotes, Roy’s work is a massive accomplishment of textual analysis, writing, research, and translation. Luckily for readers, it’s also a huge pleasure to read. If you, Gentle Reader, are anything like me, you will regularly pause in your poring over the pages of The Plum in the Golden Vase to admire the subtlety and deftness with which Roy has chosen render vernacular Chinese into corresponding English prose, whether one of the characters is claiming to be “a real dingdong dame” or another is being called a “ridiculous blatherskite.” (Blatherskite!) Yes, there is a great deal of explicit sexual descriptio

The first comprehensive biography of famed Yiddish novelist, story writer and playwright Sholem Aleichem, Jeremy Dauber‘s welcome new book The Worlds of Sholem Aleichem: The Remarkable Life and Afterlife of the Man Who Created Tevye (Schocken, 2013) offers readers an encounter with the great Yiddish author himself. Dauber writes in the rhythm of the language of Sholem Aleichem – Mr. How Do You Do – brilliantly structuring the book as a drama, with an overture, five acts, and an epilogue in ten scenes. He assumes the voice of a theater impresario, talking to his audience, just as the author Sholem Aleichem did, narrating his stories and reading them to the crowds whom he loved to entertain. The author Sholem Aleichem, most famous for his Tevye stories that became Fiddler on the Roof, was no Tevye, but rather a sophisticated and educated cosmopolitan businessman and writer.  He possessed immense curiosity about every man, a unique ear for interesting stories, and the ability to connect with hi

It’s getting harder and harder to trailblaze in the field of American Studies. More and more, writers have to follow paths created by others, imposing new interpretations on old ones in never-ending cycles of revision. But Jonathan Daniel Wells did find something new: Women Writers and Journalists in the Nineteenth-Century South (Cambridge UP, 2011; paperback, 2013) is the first to focus in on women journalists, both black and white, in the nineteenth-century American South. The South had a vital periodical marketplace where curious women could engage with politics, belles lettres, science, diplomacy, and other allegedly unfeminine subjects. Examining evidence from both writers and readers, Wells’s book asks questions about literary culture, celebrity, the limits of dissent, and North-South differences that readers will find refreshing and engaging.Learn more about your ad choices. Visit megaphone.fm/adchoices

It is a struggle sometimes in biography to find new ways to write about subjects about whom many biographies have been written. This is particularly pronounced in the case of iconic figures of the 20th century (think: Marilyn Monroe, Jacqueline Onassis, Elvis Presley, F. Scott Fitzgerald), and an area in which the partial life biography can play an interesting role. Whereas biographers have more traditionally opted for what we call “cradle-to-grave” narratives, the partial life biography instead offers a slice of a life- a particular period that is explored in-depth. Such is the case with Elizabeth Winder‘s Pain, Parties, Work: Sylvia Plath in New York, Summer 1953(Harper, 2013). Plath’s is a story most everyone knows, and yet her time working in New York as an intern in Mademoiselle has not previously been studied outside of the context of all that came after, which is surprising because it’s an interesting period but also because her experiences then formed the basis for what s

Henrietta Harrison‘s new book is the work of a gifted storyteller. In its pages, the reader will find Boxers getting drunk on communion wine, wolf apparitions, people waking up from the dead, ballads about seasickness, and flying bicycles. You will also find a wonderfully rich account of three centuries of Chinese history. The Missionary’s Curse and Other Tales from a Chinese Catholic Village (University of California Press, 2013) explores the modern history of a single Catholic town in Shanxi called Cave Gully by weaving together some of the most important tales and memories of its inhabitants. Through this very local story of lived religious practice, Harrison challenges dominant global histories of Christianity. In contrast to narratives that tell a story of a Christian religion that was alien to Chinese contexts and acculturated or adapted in order t o compensate for this incommensurability, Harrison’s book instead shows the significant commonalities between Christianity and Chinese reli

One of the most crowded sections of the sports library is the one devoted to autobiographies and memoirs. The shelves here are constantly adding new titles, by both legends and bit players. For instance, the past week has brought the release of new memoirs by Manchester United midfielder Paul Scholes and Olympic rower Katherine Grainger, as well as books by Dave Hanson, one the Hanson brothers of the cult hockey film Slap Shot, and some guy named Ace Cacchiotti, the keeper of the film archive of old NFL games. We also find in these stacks some of the most acclaimed sports books ever written, like Ken Dryden’s The Game, Nick Hornby’s Fever Pitch, and Beyond a Boundary by C.L.R. James, to name just a few. Yes, sports memoirs can be tedious rehearsals of sports platitudes. But, as we learn in this episode, there are quite a few that offer vivid perspectives and thoughtful reflections on the games we watch. In this special seminar episode of New Books in Sports we take a close look at sports memoirs.

We all know the song. “In 1492, Columbus sailed the ocean blue…” And now, thankfully, we all know the controversy; celebrating a perpetrator of genocide might say a few unpleasant things about the country doing the celebrating. But there is something that most Americans don’t know: Europeans had visited the continent at least half a millennium before Columbus. Remembered in two medieval tales known as the “Vinland sagas,” and in 1960 corroborated by a major archaeological discovery, Indigenous people–most likely the ancestors of today’s Wabanaki Confederacy, among others–encountered Norse Viking sailors sometime around 1,000 CE. This used to be common knowledge in the United States. In fact, at moments of heightened xenophobia, Anglo-Americans even celebrated America’s “Norse ancestry,” considering it a far purer lineage than the Italian Columbus. Such debates are just one of the collected national anxieties Annette Kolodny traces in her

One phenomenon of movies made of classic novels is that the movie often says a lot more about the time of its making than about the time of the novel. And so Baz Luhrmann’s The Great Gatsby is more a depiction of a 2012 idea of the 1920s than a realistic depiction of the ’20s themselves. But what of the ’20s? These years are, today, so coated in mythology that they’re hard to imagine as a real time in which real people lived. The myths surrounding Fitzgerald and his novel are equally entrenched, but Sarah Churchwell‘s Careless People: Murder, Mayhem and the Invention of the Great Gatsby (Virago, 2013) goes a long way towards peeling back the layers that have accrued around all of this- the author, the novel and the time- to, in her words, “throw into relief aspects of the novel we no longer see.” Here, the world of the ’20s- a world that so often seems impossibly ephemeral- assumes solidity through small details: hem lengths, traffic signals, the brightness of t

You know you are not going to get the same old story about progressive literacies and education from Carmen Kynard, who ends the introduction to her book with a saying from her grandmother: “Whenever someone did something that seemed contradictory enough to make them untrustworthy, my grandmother simply called it runnin’ with the rabbits but huntin’ with the dogs.” Kynard persuasively illustrates throughout her book the extent to which progressive and liberal educationalists hold up progress toward truly liberatory education for African Americans and Latinos because they seek to please both rabbits and dogs in the 21st Century. In her own words, Kynard begins with this critique: “American schools and universities, through their scholarship and instructional designs, have often upheld a racial status quo alongside a rhetoric of dismantling it. These [are] not the workings of contradictory and confused individuals merely locked within their space and time. My grandmother understood