Cultural Exchange

For the Cultural Exchange, Paul Weller nominates The Zombies' Odessey And Oracle, an album which was indifferently received when it was released in 1968. Plus archive including with The Zombies, Paul Weller and Mark Radcliffe . Full details on Front Row’s Cultural Exchange website.

Poet Gwyneth Lewis chooses the dance routine from Laurel and Hardy’s 1937 film Way Out West. Plus archive from about Laurel and Hardy’s 1932 and 1953 visits to Britain, and Roy Castle on their origins. Plus Gwyneth Lewis reads a poem. Full details on Front Row’s Cultural Exchange website.

Stephen Hough chooses Schubert’s song The Hurdy Gurdy Man, from Winterreise. Plus archive interviews with singers Thomas Hampson and Mark Padmore, and Donald Macleod on Schubert. Full details at Front Row’s Cultural Exchange website.

Author AL Kennedy chooses the 1985 TV drama Hitler’s SS: A Portrait of Evil. Plus archive interviews with Bill Nighy, Oliver Hirschbiegel and publishers and agents discussing the commercial success of books about Nazi Germany. Full details on Front Row's Cultural Exchange website.

Mark Haddon, whose books include The Curious Incident of the Dog in the Night-Time, chooses The Uffington White Horse. Plus archive reports on the myths and legends surrounding the horse. Full details available at Front Row’s Cultural Exchange website.

Colm Tóibín chooses a poem by Elizabeth Bishop called Poem. Plus archive interviews with Elizabeth Bishop, Lavinia Greenlaw and William Boyd. Full details and images at Front Row’s Cultural Exchange website.

Kwame Kwei-Armah chooses Joe Turner's Come and Gone (1984), a play by August Wilson (1945 - 2005) and the second installment of his decade-by-decade chronicle of the African-American experience, The Pittsburgh Cycle. Presented by Mark Lawson. The interview is followed by selected clips from the BBC archive: August Wilson reflecting on his career; James Earl Jones on race in Wilson's plays; director Paulette Randall on Wilson's female characters and Kwame Kwei-Armah on being interviewed 18 times for his role as artistic director at Centerstage Baltimore. full details available from the Front Row website

Novelist Sarah Hall chooses the film Blade Runner. Plus archive BBC interviews with director Ridley Scott, producer Michael Deeley, composer Vangelis, and author Philip K Dick. Go to Front Row’s Cultural Exchange website for full details.

P. D. James chooses Philip Larkin's poem The Explosion, published in his final collection of poetry, High Windows. Presented by Mark Lawson. The interview is followed by selected clips from the BBC archive: Philip Larkin reading his poem The Explosion; Mark Lawson reports from Hull as the city prepares to mark the 25th anniversary of Larkin's death; recordings of Larkin hidden on a garage shelf and discovered in 2006. With poets Paul Farley and Andrew Motion; Hugh Bonneville reads from Larkin's letters to his partner Monica Jones. Larkin arrives in Belfast as the new University librarian; P. D. James talks to Mark Lawson about love and religion in her novels. Full details are available from the Front Row website.

Mark Lawson offers a selection of highlights from the Cultural Exchange project so far. The compilation includes the choices of Tracey Emin, the Archbishop of Canterbury, Justin Welby, Chimamanda Ngozi Adichie and Bernardo Bertolucci. Go to Front Row's Cultural Exchange website for more details.

Lady Antonia Fraser chooses an oil painting by J.M.W. Turner, full title The Fighting Temeraire tugged to her last berth to be broken up (1839), depicting a ship that played a crucial part in the Battle of Trafalgar. Presented by Mark Lawson. The interview is followed by selected clips from the BBC archive: Charles Saumarez Smith and Louise Govier on Turner’s masterpiece;Historian Adam Lambert and Graeme Fife uncover HMS Temeraire’s role in the Battle of Trafalgar of 1805; Lady Antonia Fraser and fellow historian Margaret MacMillan discuss the intricacies of writing history; A reading of Sir Henry Newbolt's rousing poem The Fighting Temeraire. Full details available on the Front Row website.

Nicholas Hytner – Director of the National Theatre – chooses the Finale from Act II of The Marriage of Figaro by Mozart. Plus archive interviews with Dame Kiri Te Kanawa, Elvis Costello and Sir Georg Solti. Go to Front Row's Cultural Exchange website for full details.

Angela Gheorghiu chooses a diva from a previous generation, Virginia Zeani (pictured below), and in particular her recording of Qui la Voce from Bellini's opera I Puritani. Presented by John Wilson. Archive clips include Alice Coote on the sacrifices needed to maintain an operatic career, Angela Gheorghiu on emotional turmoil; Cecilia Bartoli and the legendary diva Maria Callas. For full archive information, visit the Front Row website

Violin virtuoso Nigel Kennedy chooses the song Black and Blue, composed by Fats Waller and performed by Louis Armstrong. Plus archive from Louis Armstrong himself, Ken Clarke on Fats Waller, and Michael Parkinson. Go to Front Row’s Cultural Exchange website for full details.

Classicist Mary Beard chooses the sculpture Laocoon and His Sons. Plus archive interviews including Seamus Heaney on Virgil, Ralph Fiennes as Aeneas, and the story of the Trojan Horse. Go to Front Row’s Cultural Exchange website for full information.

A.S. Byatt chooses The Red Studio (1911) by the French artist Henri Matisse. Presented by Mark Lawson. Plus archives interviews with Matisse himself from 1951, Matisse’s biographer Hilary Spurling, artist Patrick Herron and A.S. Byatt on literature. Go to Front Row’s Cultural Exchange website for full details.

Actor and writer David Walliams chooses Harold Pinter's play No Man's Land. Presented by Mark Lawson. The interview is followed by selected clips from the BBC archive: Pinter himself on his relationship with the audience and his famous pauses; an extract from his 1978 play Betrayal; Pinter's widow Lady Antonia Fraser on writer about her husband; Rob Brydon on meeting Pinter and Diane Abbott and Michael Billington on Pinter's pacifism.

Alison Balsom chooses the St Matthew Passion by J.S. Bach. She tells John Wilson why the recording by Philippe Herreweghe and Collegium Vocale Gent (Harmonia Mundi) is particularly special to her. The interview is followed by selected highlights from the BBC archives: John Eliot Gardiner on a life spent with JS Bach; the story of the man whose life was saved by the St Matthew Passion; Vaughan Williams on performing baroque music; Alison Balsom on the physical challenges of playing the trumpet and James Naughtie on the score of the St Matthew Passion

Terence Stamp chooses The Razor's Edge as his favourite work. Based on Somerset Maugham's novel, the Oscar nominated film stars Gene Tierney and Tyrone Power as an American World War One pilot searching for meaning in life. Presented by John Wilson. The interview is followed by selected highlights from the BBC archive: Somerset Maugham reflecting on his success; Kingsley Amis on Maugham and Selina Hastings on the secret life of Somerset Maugham. Full archive details are available on the Front Row website

Will Self chooses GK Chesterton's detective story The Man Who Was Thursday, published in 1908. Presented by Mark Lawson. The interview is followed by selected clips from the BBC Archive: GK Chesteron on eating beef with mustard; Richard Ingrams and Denis Conlon on The Man Who Was Thursday and Father Brown and a report on the campaign to have GK Chesterton canonised. Futher information is available on the Front Row website