George Eastman Museum

Interview conducted by James McQuaid, March 21, 1978. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Howard Bossen, May 1, 1978. Photo: Bernard Gotfryd (American, 1924–2016). "André Kertész," January 26, 1983. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities. Generous support for the introductions provided by Art Bridges, and made possible in part by the National Endowment for the Humanities: NEH CARES.

Interview conducted by James McQuaid, March 27, 1978. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by Ute Eskildsen and Sally Stein, February 1, 1976. Photo: Arthur Siegel (American, 1913–1978). Untitled, 1965. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by Ute Eskildsen and Sally Stein, February 1, 1976. Photo: Arthur Siegel (American, 1913–1978). Untitled, 1965. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by Ute Eskildsen and Sally Stein, February 1, 1976. Photo: Arthur Siegel (American, 1913–1978). Untitled, 1965. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by Ute Eskildsen and Sally Stein, February 1, 1976. Photo: Arthur Siegel (American, 1913–1978). Untitled, 1965. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, September 24, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.