1x1 With Kristian Harloff

Getting a breakout role in film and television is the dream for many aspiring actors, but just as important are the projects one chooses to take after that breakout gig. Given the business’ habit of boxing artists into the first thing the world sees them do well, it can be a great challenge to amass a diverse body of work. How does one steer clear of those limitations and carve a path forward with volume and diversity? Perhaps by taking a cue from Kaya Scodelario.Scodelario’s star began to soar via her work as Effy Stonem in the hit British teen series, Skins. After doing four seasons of the show, Scodelario began to pick up other television and film credits, credits ranging from Hollywood blockbusters like 2010’s Clash of the Titans to Andrea Arnold’s Wuthering Heights, which celebrated its big debut at the 2011 Venice Film Festival before going on to other top tier fests like the Toronto International Film Festival and Sundance.Over a decade later, Scodelario still enjoys a vast range of work. She headlined

Melissa Benoist stepped into the Hollywood spotlight in a big way via Glee. Then she cemented herself as a bonafide star and headliner with Supergirl. Now she continues to broaden her range and her industry skill set by starring in and producing the hugely entertaining political drama, The Girls on the Bus.Created by Amy Chozick and Julie Plec, The Girls on the Bus is inspired by Chozick's memoir, Chasing Hillary. It follows four female journalists played by Benoist, Carla Gugino, Christina Elmore and Natasha Behnam, who are on the campaign trail with aspiring presidential candidates. They all have vastly different backgrounds and goals, but find themselves supporting one another as they navigate career pressures, personal challenges, and frustrations with flawed presidential hopefuls.As Collider’s Taylor Gates noted in her review, “[Girls on the Bus] handles serious topics, from sexism and racism to abortion and corruption, in a way that feels both raw and palatable while never taking away from the show’s wa

Eve Best is an acting ace. She’s got loads of impressive screen credits to her name and is a theater legend with two Tony Award nominations, a Drama Desk Award win and a Laurence Olivier Award win as well. Now she’s an absolute force on HBO’s House of the Dragon. It probably goes without saying, she’s always been a dream guest for Collider Ladies Night, but a recent Ladies Night guest skyrocketed Best to being a top priority. While chatting with Jessica Gunning for Baby Reindeer, a performance that appears to have put her on the path to snagging an Emmy nomination, Gunning pinpointed an actor who made a major impression on her during the early days of her career. That actor? Eve Best. Soon after chatting with Gunning, interview opportunities for House of the Dragon Season 2 popped up, and I jumped on it.Best plays Rhaenys, the Queen Who Never Was, in the Game of Thrones prequel series. Despite having a number of qualities that’d make her an ideal leader, Rhaenys was passed over to succeed King Jaehaerys I for

Adria Arjona has been showing off her impeccable craft and great range for years now, but Hit Man might be one of her most impressive performances of the bunch. She isn’t playing a femme fatale in the film, rather, she’s playing a woman playing a femme fatale to better suit what she thinks her new beau wants to see in a potential partner — which is exactly what he’s doing to her. It's a mighty complicated concept that demands the most refined screenplay and deft performances. Glen Powell headlines Richard Linklater’s Hit Man as the title character, in a sense. Powell’s Gary isn’t a hit man, but rather, a “hit man.” He’s a college professor who moonlights for the New Orleans Police Department by posing as a hit man in attempt to catch people trying to off an enemy. It turns out, Gary is quite good at the gig, effortlessly adapting his image to the type of hit man he thinks his target would best respond to. However, one target throws him for a loop — Arjona’s Madison. Madison is struggling with an abusive

There’s a multitude of reasons why Hazbin Hotel became Prime Video’s largest global debut for a new animated series. An especially big one, however? That voice cast. Creator Vivienne Medrano and her team hit it big casting every single character in the show, but there’s one in particular that’s a staggeringly perfect match; Erika Henningsenis Charlie Morningstar.Hazbin Hotel is largely set in Hell where Henningsen’s Charlie, the daughter of Lucifer (voiced by Jeremy Jordan), is fed up with Heaven’s treatment of the souls in Hell. Due to overpopulation, once a year, an army of angels led by Adam (Alex Brightman) swoop down from Heaven and exterminate as many sinners as possible. In an effort to save her people and give them the second chance she thinks they deserve, Charlie creates the Hazbin Hotel, a place where sinners can be rehabilitated and then ascend to Heaven. In celebration of Hazbin Hotel Season 1’s epic run on Prime Video, a run that sparked an enormous diehard fanbase and deserves some se

While celebrating Hazbin Hotel on Collider Ladies Night, creator Vivienne Medrano said she wouldn’t mind seeing the show run for six seasons, like her favorite show of all time, BoJack Horseman. “My favorite show went to six, so six would be cool!” However, she also noted, “The real answer is as many as they’ll give me, forever — forever and ever because there could always be more.” Given the monumental success of Hazbin Hotel Season 1, I’m a big believer Prime Video and A24 should defer to Medrano on this one, and give her whatever she wants!Hazbin Hotel is something Medrano’s been working on since middle school. After years of honing the characters, she created an independently made pilot episode, after which A24 swooped in to help turn it into a series that Prime Video distributed in January 2024. Not only did the show premiere to glowing reviews, but it also became Prime Video’s largest global debut for a new animated series. But, perhaps most impressive of all was the fervent fanbase the show quickly ama

If you’ve seen The Wheel of Time and Fallout, there’s a good chance we had a similar viewing experience. The entire Wheel of Time ensemble is fantastic, but Season 2, which dropped on Prime Video from September 1 to October 6, brought in a new standout character, Renna, the Seanchan sul’dam responsible for making it an especially dark season for Madeleine Madden’s Egwene. As terrible as Renna is, you can’t take your eyes off her, and the credit for that goes to the actor in the role — Hollywood newcomer Xelia Mendes-Jones.Cut to April 2024. Fallout hits Prime Video and becomes an instant sensation. The majority of the season puts the spotlight on Ella Purnell, Walton Goggins, and Aaron Moten, all of whom give powerhouse performances. With only eight episodes, a bunch of curious locations, a number of key factions to establish, and quite a few complex agendas unfolding, how does an actor with minimal screen time in just two episodes manage to make an impression? Ask Mendes-Jones, because that’s exactly what he

We talk about the experience of “breaking out” in Hollywood a lot on Collider Ladies Night. There are many wonderful ways to have that moment in film and television, but Jessica Gunning has seen her star soar in an especially exciting way over the last month courtesy of the popularity of Netflix’s Baby Reindeer.Based on his own personal experience which he adapted into an award-winning Edinburgh Fringe one-man play, the Richard Gadd-created series stars Gunning as Martha, Donny Dunn’s (Gadd) stalker. What Donny thinks is just a simple act of kindness, offering Martha a free cup of tea on a tough day, winds up being a life-changing exchange as she wedges her way into just about every part of his life. Not only does the relationship turn Donny’s day-to-day on its head, but the experience also challenges him to address some long-buried trauma.Baby Reindeer isn’t some massive production with a significant monthslong promotional campaign behind it. It’s something that caught on in a big way, seemingly out of the b

No role is easy, but at just 22-years-old, Freya Allan has already had to do a considerable amount of heavy lifting playing characters in dire situations with the weight of the world on their shoulders. After comparing the pressure The Witcher’s Ciri is under to the challenges her Kingdom of the Planet of the Apes character, Mae, faces in the film, Allan laughed and said, “Clearly they look at me and go, 'Yeah, she’s got a lot going on. She’ll do the job.’” Allan may have been humble about it, but roles like Ciri and Mae could never soar without an actor capable of capturing and giving an audience access to their complex internal worlds.In Kingdom of the Planet of the Apes, Allan’s Mae finds herself forming an unexpected bond with Owen Teague’s ape character, Noa. It’s hundreds of years after the events of War for the Planet of the Apes. Apes are now the dominant species while humankind struggles to find safety. Given Noa’s grown up in the confines of his village and knows little of the outside world, he

Welcome to a very special edition of Collider Ladies Night. Not only does this episode feature a personal favorite, but that favorite just became the first Ladies Night third-timer — Melissa Barrera. It was immediately evident that Barrera is an ideal Ladies Night guest during our first chat in January 2022 for Scream, one brimming with enthusiasm and passion for her craft, and for the art of filmmaking in general. That became even more undeniable after connecting at the 2022 Toronto International Film Festival for Carmen’s world premiere, and then again in March 2023 for a second Ladies Night in celebration of the release of Scream VI. One of the greatest joys of having two Ladies Night conversations a mere year apart with Barrera? Seeing how much she manages to accomplish in that short span, and hearing about how deeply she considers those experiences and how that impacts her goals and perspective on the industry going forward. At that point, making the independent feature, Your Monster, which just pre

If you’re a frequent Collider Ladies Night viewer/reader/listener, you’re likely well aware of my Yellowjackets obsession. I’ve been lucky enough to welcome many Yellowjackets cast members to the show, including Christina Ricci and Jasmin Savoy Brown, but there’s a certain someone who I was extremely disappointed to have missed out on while she was on the show — Ella Purnell. However, the time has finally come. Not only did I get the opportunity to talk a little Yellowjackets with Purnell, but we also got to celebrate yet another exceptional show of hers, Prime Video’s Fallout.Purnell plays Lucy in the series adaptation of the hugely popular Bethesda game. She’s a vault dweller living safe and sound in Vault 33. They’ve got food, water, and a kind community with a neighborly vibe. Above ground, however, it’s the exact opposite. 219 years since nuclear bombs decimated the surface, everyone else is just trying to survive in an apocalyptic wasteland with little to no rules or morals. In an effort to find her fat

After a hugely successful seven-season run, Riverdale came to an end in August 2023 with its 137th episode. Yes, being part of such a show is a blessing, but there’s a significant amount of pressure that comes with answering the question, “What’s next?” Camila Mendes is powering through that pressure right now in a big way — as a multi-hyphenate.Mendes stars in and executive produced her latest feature, Música. Director Rudy Mancuso also stars in the film as a young street performer from Newark’s Ironbound neighborhood. He’s in a relationship with Francesca Reale’s Haley, but is coming to learn that they might not be on the same page about how and when to find success and stability as a young adult in this world. Could Mendes’ Isabella be the solution? Soon after meeting her, he becomes convinced she understands him better than anyone. But, is it ever that simple?With Música celebrating its big debut on Prime Video this week, Mendes carved out some time to join me for a Collider Ladies Night conversation to d

Nell Tiger Free is proving to be quite the genre powerhouse. After starring in four seasons of the widely acclaimed Apple TV+ series, Servant, alongside Lauren Ambrose, Toby Kebbell, and Rupert Grint, she’s now headlining a brand new Omen movie, The First Omen, directed by yet another soaring force in the horror space, Arkasha Stevenson.The film takes place before the events of Richard Donner’s 1976 classic and focuses on Free’s character, Margaret. Margaret grew up in an orphanage where she suffered horrific hallucinations and visions. As a result, she was abused by the nuns in the facility. As a young adult, Margaret is in the novitiate phase and heads off to Rome to become a nun. While there, the pain she carries from her tumultuous childhood collides with the discovery of a sinister agenda unfolding around her, a combination that causes her to question her faith, and everything she thought she knew.In celebration of The First Omen’s big debut, Free joined me for a Collider Ladies Night conversation recapp

One of the greatest joys of Collider Ladies Night is welcoming a guest back to the show and celebrating how much they’ve accomplished in such a short period of time. That’s the case with DeWanda Wise. She was on Ladies Night for her very first franchise film, Jurassic World Dominion, in 2022 and now she’s back as the star and executive producer of a Blumhouse horror movie.Wise headlines Imaginary as Jess, a woman who moves back into her childhood home with her husband Max (Tom Payne) and her stepdaughters, Alice (Pyper Braun) and Taylor (Taegen Burns). Soon after moving in, the youngest, Alice, develops an attachment to a stuffed bear named Chauncey. Jess and Max brush it off as a charming connection between a child and her imaginary friend, but when Chauncey’s scavenger hunt becomes increasingly sinister and dangerous, Jess is forced to accept the fact that Chauncey might be more than a stuffed toy, and he might also have a connection to her own long-forgotten past.Check out this edition of Collider Ladies N

There is no doubt that this will be the first of many Collider Ladies Night interviews for Millie Bobby Brown. Not only has her acting career been soaring ever since the debut of Stranger Things back in 2016, but Brown is also using her rising start to influence certain projects for the better as a producer. She kicked off the Enola Holmes film series at Netflix wearing both hats, and now she stars in and executive produces her latest ambitious release for the streamer, Damsel.Brown headlines the film as Elodie, a young woman who agrees to marry a handsome prince (Nick Robinson) in hopes that his kingdom’s riches will help her family’s struggling people. However, nearly immediately after the two are wed, Elodie discovers the truth behind their union; his family is using her as a sacrifice to repay an ancient debt. She’s thrown into a cave with a dragon, kicking off a story that subverts the traditional damsel in distress narrative. There is no savior. It’s up to Elodie to save herself.During our Collider Ladi

Collider Ladies Night was created to highlight how an artist’s experiences paved the way to their latest achievement. There are often loads of highs along the way, but there can also be some more challenging moments, ones that heavily contribute to how one views the industry and how they’ll strive to change it for the better. A shining example of one such force in Hollywood? The Way Home star and executive producer, Chyler Leigh.The Way Home is a Hallmark series in its second season. Not a frequent Hallmark viewer? Hear me out. Hallmark has a large fanbase and serves it well, but The Way Home has the potential to broaden that viewership. It’s a sci-fi family drama with a fascinating mythology and hugely powerful beating heart. Leigh plays Kat Landry, a woman who’s estranged from her mother, Del (Andie MacDowell), but winds up moving back into her childhood home with her, along with her teenage daughter, Alice (Sadie Laflamme-Snow). While there, Alice discovers that there’s a pond on the propriety with the pow

Sadie Laflamme-Snow shot out the gate and into Hollywood in a big way. Just a couple of years after graduating from the National Theatre School of Canada, Laflamme-Snow scored a lead role in a Hallmark series opposite two industry heavyweights, Andie MacDowell and Chyler Leigh. Since premiering in January 2023, The Way Home has amassed an adoring fanbase that spans generations, and is credited with opening many minds to Hallmark content. Laflamme-Snow plays Alice, a teenager whose parents are on the cusp of divorce. Even though her mother, Kat (Leigh), is estranged from her mother, Del (MacDowell), they move back into her childhood home together, a house in a small farm town called Port Haven. While exploring the property, Alice makes a game-changing discovery. By jumping into a pond in the woods, Alice can time travel. But, Alice isn’t in control of where (when) she goes. That’s up to the pond, and it opts to send her back to 1999, the year that drastically changed Kat and Del’s lives and their connecti

As you’ll hear in this edition of Collider Ladies Night, Beanie Feldstein is a favorite. She’s a hugely talented individual, with a deep passion for the craft of acting who heavily values the opportunity to create with good people. There’s no doubt a good deal of that was in her from the start, but in revisiting her filmography in celebration of the release of her latest film, Drive-Away Dolls, it becomes abundantly clear that Feldstein is able to stand tall, deliver big and use her voice to change this industry for the better because she’s been well encouraged and supported by some of the best out there.Feldstein plays Sukie Shankleman in Tricia Cooke and Ethan Cohen’s Drive-Away Dolls. Fresh out of a relationship with Margaret Qualley’s Jamie, Sukie is on the warpath. She’s a no-nonsense cop who isn’t about to let Jamie get away with breaking her heart. When Jamie and Geraldine Viswanathan’s Marian get mixed up with some criminals while road tripping to Tallahassee, Sukie has no problem giving the goons the

Sophie Wilde’s work in Talk to Me is the epitome of a “breakout performance.” Not only did the film go from Sundance darling to one of the biggest smash hits of 2023, but Wilde herself received the praise she deserved for an incredibly demanding and exceptionally well executed lead performance.In fact, Wilde’s work as Mia is one of the main reasons why Talk to Me is so much more than a cool horror movie with a super creative high concept. Yes, the A24 acquisition delivers big when it comes to the thrill of watching a group of naive teenagers willingly becoming possessed via the now-iconic hand, but much of the movie’s depth comes from how Mia’s grief makes her susceptible to losing herself in the midst of this sinister high.In addition to being showered with critical praise and winning Best Lead Actress in Film at the Australian Academy of Cinema and Television Arts Awards, Wilde just scored one of the most coveted honors for a newcomer in this industry. She was nominated for the BAFTA’s EE Rising Star Award

Kathryn Newton is taking over in the best possible way. At 27, not only has she already amassed a vast filmography, but it’s one that’s packed with variety and bold creative swings. She headlined a Paranormal Activity film, she’s part of the Marvel Cinematic Universe, she was a comedy ace in Blockers, she stars opposite acting icons in HBO’s acclaimed series Big Little Lies, and she’s a certified horror genre powerhouse thanks to Freaky, Radio Silence’s next movie Abigail, and Zelda Williams’ wonderfully dark and charming feature directorial debut, Lisa Frankenstein.Newton leads as the title character, a misunderstood teenager who feels alone in the world after her mother is axe-murdered in their living room. Lisa’s step-sister Taffy, played by the effervescent Liza Soberano, is always there to offer support, but the only one who can fill Lisa’s heart is a guy who died in 1837 (Cole Sprouse). One night, Lisa’s fantasy becomes a reality when a lightning bolt reanimates his corpse, kicking off a joyfully horrif