New Books In Literary Studies

Marlene Daut tackles the complicated intersection of history and literary legacy in her book Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789-1865 (Liverpool University Press, 2015). She not only describes the immediate political reaction to the Haitian Revolution, but traces how writers, novelists, playwrights, and scholars imposed particular racial assumptions onto that event for decades afterward. Specifically, she identifies a number of recurring tropes that sought to assign intense racial divisions to the Haitian people. Individuals of joint African and European heritage, she contends, received the blunt of these attacks, as they were portrayed as monstrous, vengeful, mendacious, and yet also destined for tragedy. Moreover, observers and chroniclers of the Revolution maintained that these supposed characteristics produced ever-lasting discord with black Haitians. Daut analyzes hundreds of fictional and non-fictional accounts to argue that portrayals of

In Calypso Jews: Jewishness in the Caribbean Literary Imagination (Columbia University Press, 2016), Sarah Phillips Casteel, associate professor of English at Carleton University, explores the representation of Jewishness in Caribbean literature. She investigates the meaning of two episodes of trauma in Jewish history, the 1492 expulsion and the Holocaust, for Caribbean and diaspora writers. Her focus on this under-explored Caribbean story serves as an alternative to the traditional U.S.-based critical narratives of Black-Jewish relations.Learn more about your ad choices. Visit megaphone.fm/adchoices

Minsoo Kang‘s new translation of The Story of Hong Gildong (Penguin Classics, 2016) is a wonderful rendering of a text that is arguably the “single most important work of classic…prose fiction of Korea.” Though Hong Gildong is a popular figure in modern Korean culture – a kind of Robin Hood character, “Hong Gildong” is also used as a generic name on instruction forms, in the manner of “John Doe” – the story that made him famous has not been widely read and enjoyed for English-language audiences. Not only will Kang’s book change that, but it’s an absolute pleasure to read as well. In these pages readers will follow along with this trickster figure in a tale that that features storytelling about Joseon society and its illegitimate sons, a realistic portrayal of life in a nobleman’s household, sorcery, physiognomy, lies, love, more sorcery, thievery, politics, monsters, kidnapping, and even more sorcery. In the course of our conversation,

When Marcela Sulak was planning classes in the MFA program she directs at Bar Ilan University, it became clear that the traditional prose/poetry binary was not going to work. In both her own and her students’ writing, there was a tendency to complicate the binary, to produce literary writing that hybridized many established forms and genres. And so there was a real, practical need for a text to instruct from that would define literary hybridity, and model new hybrid forms. And there wasn’t one. As a teacher, then, and not just a poet, Dr. Sulak literally wrote the book on hybrid literature, with co-author Jacqueline Kolosov: Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary Genres (Rose Metal Press, 2015). When people ask, Phillip Witteveen usually says he’s “temping at a tech startup.”Outside of work, he’s trying to write fiction and for screen. You can holler @PhilWitteveen on Twitter; his blog is here.Learn more about your ad choices. Visit megaphone

In “How Come Boys Get to Keep Their Noses?”: Women and Jewish American Identity in Contemporary Graphic Memoirs (Columbia University Press, 2016), Tahneer Oksman explores the graphic memoirs of seven female cartoonists, whose works grapple with issues of Jewish identity – from confronting stereotypes of Jewish women’s bodies and behaviors, to ambivalence over what it means to be a progressive Jew on a Birthright trip to Israel. Through visual and textual analysis, Oksman illustrates how her authors’ connections to Jewishness remain complicated, fluid, and intimately tied to perceptions of self and how others view them.Learn more about your ad choices. Visit megaphone.fm/adchoices

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among several fascinating essays – a portfolio of Akamatsu Toshiko’s sketches of Micronesia, an interview about Mughal collections, an introduction to three wonderful digital projects, and a field trip to collaboratively-curated exhibition. In addition to exploring the particular contributions of this special issue, we talked about some of the features of the journal that really excitingly push the boundaries of what an academic journal can be, considering aspects of the innovative forms that are curated in the Convergence section of Verge and reflected in its essays. Highly recommended, both for reading and for teaching! Carla Nappi is Associate Professor of History at the Univer

Calling into question common assumptions regarding the supposedly antagonist relationship between literary criticism and psychoanalytic reading, Jean-Michel Rabatepaints a picture of reconciliation rather than rift. Drawing from a vast store of cultural incident–from Sophie Calle’s modern art to the novels of Henry James–The Cambridge Introduction to Literature and Psychoanalysis (Cambridge University Press, 2014) argues that psychoanalysis and active literary reading are both implicated in the same process, one which engages the unconscious and makes one an “ambassador” thereto. In our interview, Rabate holds court on various issues, including the similarities between Jacques Lacan and Carl Jung, as well as the status of James Joyce as sinthome of literature. Moving beyond the textual, he also captivatingly considers not only the relationship between trauma and perversion but also the ways in which Lacan and Derrida differed in their interpretation of the “public intellect

In her new book Disaster Drawn: Visual Witness, Comics, and Documentary Form (Harvard UP, 2016), Hillary Chute analyses the documentary power in the comics-form sometimes known as “graphic novels.” Chute is particularly interested in Art Spiegelman’s Maus, Keiji Nakazawa’s I Saw It, and Joe Sacco’s series Palestine, but she also introduces us to the long history of hand-drawn documentation of war-time trauma dating to Goya and Callot. Chute treats comics as a serious literary form that is especially efficacious for representing the act of witness-to-war and those who witness. It is through the power of graphic illustration combined with the written word–the comics-form–that the otherwise unspeakable atrocities of modern war can be conveyed. The book also serves as a primer to the language of comics–words like “gutter” and “tier”–and the craft of decoding comics as practiced by scholars such as Chute. In this interview Chute respon

Written Here, Published There: How Underground Literature Crossed the Iron Curtain (Central European University Press, 2014) is a richly detailed description of the social practices, debates and discourses that were part of a transnational literary community created by tamizdat – literary works written in communist Europe but published in the West. Friederike Kind-Kovacs, Assistant Professor in the Department of History of Southeastern and Eastern Europe, University of Regensburg, demonstrates the permeability of the “Iron Curtain” through a study of the practicalities of book smuggling and publishing houses. More importantly, she reveals the motivations of non-conformist writers who sought publication in the West and the Western intellectuals, emigres and activists who facilitated publication – along with the tensions inherent in these relationships. Kind-Kovacs focuses as well as on how literary transmission between communist Europe and the West was shaped by and contributed to the h

This terrific book follows the itinerary of Eric Walrond’s peripatetic life. Born in Guyana in 1898, Walrond lived in Barbados, Panama, New York, Paris, London. As a writer and sharp observer of those around him, he produced trenchant critiques of racial dynamics, imperialism, and labor relations in short stories, journalism, essays, and historical narratives. His book Tropic Death (1926), a searing rendition of Caribbean life, was widely read. Yet he struggled toward the end of his life as he became increasingly isolated both professionally and socially. In Eric Walrond: A Life in the Harlem Renaissance and the Transatlantic Caribbean (Columbia University Press, 2015), James Davis draws on numerous and surprising sources to build a complex but eminently readable portrait of this man, his work, his friends and acquaintances in diasporic communities of the transatlantic Caribbean.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The concept sounds simple: Maris Kreizman‘s Slaughterhouse 90210: Where Great Books Meet Pop Culture (Flatiron Books, 2015), based on her popular Tumblr, pairs up classic celebrity and television images with relevant quotes from literature. But the blend of high and low culture makes for a delightful and insightful read. Here is where Kurt Vonnegut meets Brenda Walsh, summing up life in the 90210 zip code via one of his most iconic “Slaughterhouse-Five” lines. Where a Joan Didion essay written decades before Taylor Swift was ever born sings out new insight into the pop star’s famously personal lyrics. And where a Joseph Heller quote from “Catch-22” sums up Donald Trump quite nicely, political ambitions and all. Kreizman, a former book editor and current publishing-outreach lead at Kickstarter, joins fellow pop-culture junkie Gael Fashingbauer Cooper for a gleeful troop through the book, discussing favorite quote-photo pairings and why they work so well. Kreizman also shares

What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press.Learn more about your ad choices. Visit megaphone.fm/adchoices

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied convention, pushed the boundaries of aesthetics and forged a new sensibility of personal liberation. From John Cage, who in 1952 explored the musical possibilities of silence in the composition 4′ 33″ to Chris Burden’s 1974 performance piece Trans-fixed nailing him to a Volkswagen; both challenged the standing categories of art and aesthetics. Two-dozen dramatic vignettes demonstrate the excess of violence, sex, and madness that blurred the boundaries between art, artist and audience. Creatives such as Marlon Brando, Lenny Bruce, Andy Warhol, and Anne Sexton populate his pages. The fascination with excess cut across diverse expressions taking art and audiences into unc

In Suffer the Little Children: Uses of the Past in Jewish and African American Children’s Literature (New York University Press, 2013), Jodi Eichler-Levine, associate professor of Religion Studies and Berman Professor of Jewish Civilization at Lehigh University, analyses a theme in American religious history–suffering–through the lens of Jewish and African American children’s literature. In her analysis of works by authors such as Maurice Sendak, Julius Lester, Jane Yolen, Sydney Taylor, and Virginia Hamilton, Eichler-Levine deftly examines the ways in which historical narratives of suffering are used by religious communities to claim their status as citizens.Learn more about your ad choices. Visit megaphone.fm/adchoices

Nanxiu Qian, professor at Rice University, discusses her new book Politics, Poetics, and Gender in Late Qing China: Xue Shaohui and the Era of Reform (Stanford University Press, 2015). Qian argues that the role women played in the late Qing reform movements has heretofore been overlooked by historiography. Leading reformer Xue Shaohui was a critical poet, prose writer, educator, translator, and journalist. Xue married the literary traditions and scientific and technological advances of China and of the West. Her culturalist vision of women also married the writing-women tradition with her forward beliefs in gender equality. No subservient wife, Xue Shaohui played a central role in the reform networks of women and men and in the vibrant culture of debate that planted the seeds for women’s education and women’s visible role in public life in China.Learn more about your ad choices. Visit megaphone.fm/adchoices

In Imagining the Kibbutz: Visions of Utopia in Literature and Film (The Pennsylvania State University Press, 2015), Ranen Omer-Sherman, a professor at the University of Louisville, looks at literary and cinematic representations of the kibbutz, what he calls the world’s most successfully sustained communal enterprise. Complementing historical works on the kibbutz, Omer-Sherman explores how the kibbutz is depicted in novels, short fiction, memoirs, and films by both kibbutz “insiders” and “outsiders” to reveal an underlying Israeli tension between the individual and the collective.Learn more about your ad choices. Visit megaphone.fm/adchoices

Finalist, 2015 National Jewish Book Award In her new book Young Lions: How Jewish Authors Reinvented the American War Novel (Northwestern University Press, 2015), Leah Garrett, the Loti Smorgon (Professor of Contemporary Jewish Life and Culture at Monash University in Australia) takes the reader through best-selling novels of World War II. These novels became source material for American’s popular perceptions of that war and a mirror on American society back home. Garrett tells the back story of how each novel was written, how much they reveal of their famous authors’ war experiences and how they reflect the politics of each authors perspective on America. Manyof the great American war novels published during the 1940s, 1950s, and 1960s were written by Jewish authors. Listen to Garrett’s explanation to understand why that was the case.You don’t need to have read Norman Mailer’s The Naked and the Dead, Herman Wouk’s The Caine Mutiny, Leon Uris’s Battle Cry or Joseph He

Colson Whitehead’s fiction has drawn varied criticism. On the one hand, there’s the scholarship of the African diaspora, a tradition that takes the long view of Whitehead–extrapolating him from their existing canon (of Du Bois, Hurston, Ellison, etc.); on the other hand, there’s the conversation on Whitehead’s work that’s happening more in the literary main stream. On Kimberly Fain‘s view, the last word is somewhere in between, and in her Colson Whitehead: The Postracial Voice of Contemporary Literature (Rowman and Littlefield, 2015), she considers a more integral fiction: one both a product of a long history and of an intermediating pop culture. The big task of Colson Whitehead is to position the fictionist as a “postracial” figure–a figure who represents a changing attitude on the concept and reality of race. What would it mean to live a really, truly colorblind America? You can see inklings in Whitehead, especially in his latter work. And while i

Megan Marshall is the Charles Wesley Emerson College Professor in writing, literature and publishing. Her book Margaret Fuller: A New American Life (Mariner Books, 2013) won the 2014 Pulitzer Prize in biography. Marshall has written a beautiful and detailed portrait of the nineteenth-century political thinker, women’s rights advocate, and writer Margaret Fuller. Fuller’s childhood begins in Cambridgeport, MA where under the tutelage of her demanding father, Timothy Fuller, she was immersed in the classics excelling in language, literature, and philosophy. Her prospects limited by her gender, considered plain and often lonely, Fuller went on to build an intellectual life and relationships with the leading transcendentalists. Her New England circles included the most prominent thinkers of her day, the Channings, the Peabody sisters, Ralph Waldo Emerson, Horace Greeley, and Nathaniel Hawthrone. Frequently earning a living as a teacher, she went on to write and edit the transcendentalist journal The D

Tom Sperlinger, Reader in English Literature and Community Engagement at the University of Bristol, joins New Books in Education to discuss Romeo and Juliet in Palestine: Teaching Under Occupation (Zero Books, 2015). The book is an account of Tom’s time teaching English literature at Al-Quds University, located in the Occupied West Bank. Because of their unique environment and perspective, the students in his class had interpretations of Romeo and Juliet, Julius Caesar, and other seminal English literature works that struck a chord with the author. Through his book, he provides a glimpse into the everyday aspects of a place that is not often discussed in terms of higher education. You can find the author on Twitter at @TomSperlinger. For questions or comments on the podcast, you can also find the host at @PoliticsAndEd.Learn more about your ad choices. Visit megaphone.fm/adchoices