New Books In Literary Studies

Language is one of the complex systems facilitating communication; language is a system producing the inside and the outside of the individual’s awareness of self and other. However, language is also a tool for and of ideological battles, shaping states and nations. A multifaceted nature of language is emphasized and explored in an interdisciplinary collection of articles The Battle for Ukrainian: A Comparative Perspective (Harvard University Press/Ukrainian Research Institute, 2017), edited by Michael S. Flier and Andrea Graziosi. This collection developed with the crucial contribution of Lubomyr Hajda, who highlighted the importance of the comparative aspect that goes beyond specific historical contexts. As the editors mention in their introduction, The Battle for Ukrainian presents the proceedings of the conference States, Peoples, Languages: A Comparative Political History of Ukrainian, 1863-2013. One of the starting points for the scholarly discussion was the history of the Ukrainian language, whic

Candace Ward’s Crossing the Line: Early Creole Novels and Anglophone Caribbean Culture in the Age of Emancipation (University of Virginia Press, 2017) foregrounds an understudied group of writers: white creole novelists in Britain’s Caribbean colonies. White creoles in the Caribbean were characterized as lazy, depraved, and provincial by their contemporaries in Britain, particularly amid early nineteenth-century political and social campaigns to end the institution of slavery in the Caribbean. Ward analyzes novels by white creoles to show the complex ways these writers melded fact and fiction to support the planter class’s ultimately misguided attempts to sustain slavery. Examining novels such as Cynric Williams’s Hamel, the Obeah Man (1827) and E.L. Joseph’s Warner Arundell (1838), Ward’s work highlights how writers from the so-called periphery contributed to the development of the novel through the troubling yet innovative ways they mobilize fiction for political aims. Ca

Often, poetry and punk rock are seen as distinct activities that occur in different locations with separate audiences. Many would also ascribe to them varying levels of cultural and political capital. Daniel Kane, the author of Do You Have a Band?: Poetry and Punk Rock in New York City (Columbia University Press, 2017) challenges these notions and explores the interaction between the New York Schools of Poetry and early punk music. In this podcast, we discuss how poets, such as Frank O’Hara, Ted Berrigan, and Anne Waldman, affected the writing and careers of Lou Reed, Patti Smith, and Richard Hell. We also explore how punk rock, in turn, shaped the work of Elaine Myles and Dennis Cooper. Kane’s work helps re-map the relationships between poetry and punk rock. Daniel Kane is Professor in English and American literature at the University of Sussex in Brighton. His books include We Saw the Light: Conversations Between the New American Cinema and Poetry (2009) and All Poets Welcome: The Lower East Sid

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston

Laura Lee’s Oscar’s Ghost: The Battle for Oscar Wilde’s Legacy (Amberley Publishing, 2017) offers a detailed investigation of a conflict involving the writer and his two friends with whom he maintained sexual relations, Lord Alfred Douglas and Robert Ross. In her endeavor to disclose the root of the conflict that, as a matter of fact, marked and instigated Oscar Wilde’s decline, Laura Lee attempts to consider different perspectives, illuminating the progression of the conflict and its influences and aftereffects. This story, although centering around Oscar Wilde, discloses how Alfred Douglass and Robert Ross’s response to the writers professional and personal turmoil shapes the way the conflict is comprehended. Oscar’s Ghost, as Laura Lee mentions in this interview, is inspired by De Profundis: the work that presents Oscar Wilde’s intimate confession and indicates the writer’s transformation, triggered by his prison experience. Humiliation, on the one hand, and

Slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world for centuries. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, and artwork, yet an important piece of this visual culture has gone unexamined: the popular and frequently reprinted antislavery illustrated books that were utilized extensively by the antislavery movement in the first half of the nineteenth century. The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852 (University of Georgia Press, 2017) analyzes some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. The author argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship with the ensla

A deft and searching exploration of genre theory through science fiction, and science fiction through genre theory, John Rieder‘s Science Fiction and the Mass Cultural Genre System (Wesleyan University Press, 2017) makes a significant contribution to the efforts to grapple with science fiction as a category of analysis and cultural production. Building on his previous work in colonialism and science fiction, Rieder’s book begins with an assessment of the scholarship on mass culture and the media flows of the early twenty-first century, when science fiction gained currency as a genre identifier. Drawing together analyses of educational curriculum, technologies of publication, and the social production and distribution of literacy itself, Rieder makes the case for understanding science fiction as a social convention familiar to authors, editors, booksellers, and readers, but often the worse for its encounters with the jagged edges of traditional genre systems. Calling on the work of Frederic Jameson

Adam Gaiser‘s majestic new book Shurat Legends, Ibadi Identities: Martyrdom, Asceticism and the Making of an Early Islamic Community (University of South Carolina Press, 2016), treats readers to a dazzling analysis of a wide range of Shurat/Kharijite texts centered on the themes of martyrdom, asceticism, and the body. Providing a rare and sympathetic window into this often misunderstood tradition, Gaiser presents a compelling and nuanced account of ways in which discursive concepts, constructs, and narratives accumulate in a tradition overtime. In our conversation, we talked about a number of the book’s major themes including the meaning and significance of the category of Shira’, Shurat and Ibadi poetry, and intra-Kharijite contestations over the boundaries of religious identity. This beautifully written book is sure to interest and spark conversations amongst scholars of Islam, asceticism, literature, and poetry. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and M

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing na

Ever since Donald Trump was elected President, he’s created a non-stop torrent of news, so much so that members of the media regularly claim that he’s effectively trashed the traditional news cycle. Whether that’s true or not, it is hard to keep up with what’s going on in the White House, and each new uproar makes it difficult to remember what’s already happened. Take Trump’s first cabinet meeting, way back on June 12, 2017. Remember that? It began with Trump proclaiming, “Never has there been a president….with few exceptions…who’s passed more legislation, who’s done more things than I have.” This, despite the fact that he had yet to pass any major legislation through Congress. Then it got odder. Trump listened as members of his Cabinet took turns praising him. Mike Pence started it off, saying, “The greatest privilege of my life is to serve as vice president to the president who’s keeping his word to the American people.̶

How does a book come into being? In Under the Cover: The Creation, Production, and Reception of a Novel (Princeton University Press, 2017), Clayton Childress, Assistant Professor in the Department of Sociology at The University of Toronto, accounts for the social processes behind the contemporary novel. The book uses a case study of Jarrettsville, a work of historical fiction, to explore the processes of creation, production, and reception for the book. Drawing on, but also extending and developing, field theory, the book challenges the usual perception of a lone authorial genius with a detailed sociological picture of how a novel is made. The book offers rich empirical material, from quantitative analysis of inequalities in publishing, through readers’ responses to the novel and insider knowledge from agents and editors, to ethnographic reflections on the social setting for authorial work. The book is a fascinating and accessible read for anyone interested in contemporary culture. The first chapter is

Alessandro Duranti is Distinguished Professor of Anthropology at UCLA, where he served as Dean of Social Sciences from 2009-2016. In his book The Anthropology of Intentions: Language in a World of Others (Cambridge University Press, 2015), Duranti explores the relevance of intentions in making sense of what others say reflecting the range of his intellectual curiosity: from analytic and continental philosophical foundations of the concept of intentionality to political discourse in Samoa and the U.S., anthropologists’ accounts of the opacity of other minds in Pacific societies, and the embodiment of intentions in jazz improvisation. Duranti takes up the stalled opposition between, on the one hand, analytic philosophy of language–which tends towards individualistic conceptions of intentions–and, on the other hand, linguistic anthropology–which rejects this armchair universalizing, offering counterexamples of contexts where inner states are not socially salient. In making the case for a

In Strangers in Berlin: Modern Jewish Literature between East and West, 1919-1933 (University of Michigan Press, 2016), Rachel Seelig, Visiting Scholar in the Department of Germanic Languages and Literatures at the University of Toronto, works against the prevailing tendency to view German and East European Jewish cultures as separate fields of study. Looking at four writers, Seelig presents Jewish literature in the Weimar Republic as the product of a dynamic encounter between East and West. This is a very interesting and groundbreaking work of scholarship. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.Learn more about your ad choices. Visit megaphone.fm/adchoices

Mykola Soroka’s Faces of Displacement: The Writings of Volodymyr Vynnychenko (McGill-Queens University Press, 2012) is a compelling investigation of the oeuvre of one of the Ukrainian writers whose dramatic literary career offers insights not only into the nature of writing but also into the contextual environments that happen to shape writers’ reputations. Born and educated in Ukraine, Vynnycheko had to leave his homeland shortly after the emergence of the Soviet Union: his political vision considerably differed from the developments introduced and supported by the Soviet leaders. Extensively traveling across Europe, Vynnychenko was trying to maintain a fragile connection with his homeland: this connection was primarily constructed and nourished by the writers imagination. In spite of persecution, Vynnychenko ventured a few intermittent returns to Soviet Ukraine; however, he never had a chance to settle down in his home country again. France became one of the places where he attempted to develop

In The Latina/o Midwest Reader (University of Illinois Press, 2017) editors Omar Valerio-Jimenez, Santiago Vaquera-Vasquez, and Claire F. Fox bring together an exceptional cadre of scholars to dispel the notion that Latinas/os are newcomers to the Midwest. Through seventeen penetrating essays, this collection explores the trajectory of Latina/o migration, their demographic transformation of the Midwest, importance as laborers, neighbors, and community builders, as well as their struggles to obtain social and economic justice. Collectively, the essays within this anthology make several important interventions concerning the distinctiveness of the Midwest in the Latina/o experience and the effect it has had on identity formation and social activism. The presentation of the Midwest as a “border space” (i.e., contact zone) for Latina/o migrants from various parts of Latin America is a central theme that runs throughout the book. This anthology is an essential addition to Latina/o studies scholarship a

In Denying Her Voice: The Figure of Miriam in Ancient Jewish Literature (Vandenhock and Ruprecht, 2016) Hanna Tervanotko first analyzes the treatment and development of Miriam as a literary character in ancient Jewish texts, taking into account all the references to this figure preserved in ancient Jewish literature from the exilic period to the early second century C.E.: Exodus 15:20-21; Deuteronomy 24:8-9; Numbers 12:1-15; 20:1; 26:59; 1 Chronicles 5:29; Micah 6:4, the Septuagint, the Dead Sea Scrolls (4Q365 6 II, 1-7; 4Q377 2 I, 9; 4Q543 1 I, 6 = 4Q545 1 I, 5; 4Q546 12, 4; 4Q547 4 I, 10; 4Q549 2, 8), Jubilees 47:4; Ezekiel the Tragedian 18; Demetrius Chronographer frag. 3; texts by Philo of Alexandria: De vita contemplativa 87; Legum allegoriae 1.76; 2.66-67; 3.103; De agricultura 80-81; Liber antiquitatum biblicarum 9:10; 20:8, and finally texts by Josephus: Antiquitates judaicae 2.221; 3.54; 3.105; 4.78. These texts demonstrate that the picture of Miriam preserved in the ancient Jewish texts is richer th

There is a long tradition of the study of Sikhism in Western academia. However, historiographical accounts still lack a clear vision of the early formation of the tradition. Rahuldeep Singh Gill, Associate Professor of Religion at California Lutheran University, addresses this lacuna in Drinking From Love’s Cup: Surrender and Sacrifice in the Vars of Bhai Gurdas Bhalla (Oxford University Press, 2017). Through a detailed analysis and lucid translation of the literary tradition of Bhai Gurdas Bhalla (d. 1636), the tradition’s most important poet, Gill challenges and critiques current modes of Sikh scholarship. Bhai Gurdas’ poetry shaped early Sikh theology and practice, providing an emotive lexicon for communal identity. Gill highlights some of the most important of Gurdas’vars in articulating key themes in his writing, including spiritual death, martyrdom, sacrifice, and divine love. These tropes often emerge in the context of relationships with Sikh leadership, such as the martyr Guru

As I was reading Ron Edward’s fascinating and far-reaching new book, The Edge of Evolution: Animality, Inhumanity, and Doctor Moreau (Oxford University Press, 2016), I had a flashback. I must have been about seven. I was watching a film adaptation of H.G. Well’s classic work of science fiction, The Island of Doctor Moreau. It’s about a doctor who takes animals and tries to make them human by surgically alerting them. I don’t remember much about the movie–I think Burt Lancaster played Moreau–but what I remember is that the story really creeped me out. It stayed with me for a long time. And, even now, as I remember those half-man, half-beasts that populate Dr. Moreau’s island, I’m creeped out. The feeling is something like a primordial shiver. Now you may attribute that feeling to the sensitivity of a seven-year-old, and that’s probably right: what were my parents thinking letting me watch a horror movie at that age? Edwards, however, has a different answer,

Philosophers have long tried to silence the physical musicality of voice in favor of the purity of ideas without matter, souls without bodies. But voices resonate among bodies and texts; they are singular, as unique as fingerprints, but irreducibly collective too. They are material, somatic, and musical. Voices also give body to concepts that cannot exist in abstraction, essential to sense yet in excess of it. They complicate the logos of the beginning and emphasize the enfleshing of all words. Karmen MacKendrick’s The Matter of Voice: Sensual Soundings (Fordham University Press, 2016) explores all this and more through theology and philosophy, pedagogy, translation, and semiotics. It is a beautifully written and challenging book. Karmen MacKendrick is Professor of Philosophy at Le Moyne College Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Allan‘s In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton University Press, 2016) challenges traditional perceptions of world literature: he argues that the disciplinary framework of world literature levels the differences between different types of literature. He uses colonial Egypt as a geographic focus of inquiry and demonstrates how literary traditions changed the act of reading: his examples include the Rosetta Stone and translations of the Qur’an. He thus demonstrates that literary reading (to be distinguished from how reading was conceptualized in Egypt before the colonial period) requires different ethical capacities and sensibilities and how they were gradually institutionalized by different genres of texts. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Afric