New Books In Literary Studies

Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a legitimate, rich form of art. Openness of Comics: Generating Meaning within Flexible Structures (UP of Mississippi, 2016) examines this trend by taking up philosopher Umberto Eco's notion of the open work of art, whereby the reader--or listener or viewer, as the case may be--is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work. Ahmed analyzes a diverse group of British, American, and European (Franco-Belgian, German, Finnish) comics.  She treats examples from the key genre categories of fictionalized memoirs and biographies, adventure and superh

Seamus O’Malley is an associate professor at Yeshiva University. His first book was Making History New: Modernism and Historical Narrative (Oxford University Press, 2015). He has co-edited three volumes, one of essays on Ford Madox Ford and America (Rodopi, 2010), a research companion to Ford (Routledge, 2018) and a volume of essays on the cartoonists Julie Doucet and Gabrielle Bell (Mississippi, 2018). He is the chair of the Ford Madox Ford Society and co-chair of the Columbia University Seminar for Irish Studies. In this interview he discusses his new book, Irish Culture and "The People": Populism and Its Discontents (Oxford UP, 2022), a study of the rhetoric of populism and uses of the seemingly simple concept “The People” in Irish political and literary discourse. Irish Culture and ‘The People’ argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of

Anne Enright, writer, critic, Booker winner, kindly makes time for Irish literature maven Paige Reynolds and ND host John Plotz. She reads from The Wren, The Wren (Norton, 2023) and discusses the “etherized” state of our inner lives as they circulate on social media. Anne says we don't yet know if the web has become a space of exposure or of authority, but that the state of diffusion we all exist in is “pixilated”--though perhaps we can take comfort from the fact that “Jeff Bezos...is not as interested in your period as you might think.” Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also gently corrects one reviewer: her characters aren’t working class, they're "just Irish." Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want--while simultaneously “mortifying them...condemning them to absolute hell” by point

Advancing Medical Posthumanism Through Twenty-First Century American Poetry (Palgrave MacMillan, 2024) places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Ways of Seeking: The Arabic Novel and the Poetics of Investigation (U California Press, 2024), Emily Drumsta traces the influence of detective fiction on the twentieth-century Arabic novel. Theorizing a “poetics of investigation,” she shows how these novels, far from staging awe-inspiring feats of logical deduction, mock the truth-seeking practices on which modern exercises of colonial and national power are often premised. Their narratives return to the archives of Arabic folklore, Islamic piety, and mysticism to explore less coercive ways of knowing, seeing, and seeking. Drumsta argues that scholars of the Middle East neglect the literary at their peril, overlooking key critiques of colonialism from the intellectuals who shaped and responded through fiction to the transformations of modernity. This book ultimately tells a different story about the novel’s place in the constellation of Arab modernism, modeling an innovative method of open-ended inquiry based on the literary texts themselves. Emily Drumsta

Analyzing the way that recent works of graphic narrative use the comics form to engage with the “problem” of reproduction, Shiamin Kwa’s Perfect Copies: Reproduction and the Contemporary Comic (Rutgers UP, 2023) reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. Perfect Copies considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics My Favorite Thing Is Monsters by Emil Ferris, The Black Project by Gareth Brookes, The Generous Bosom series by Conor Stechschulte, Sabrina by Nick Drnaso, and Panther by Brecht Evens, Perfect Copies shows how these comics makers push the limits of different ideas of “reproduction” in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions, teach

Following Art Spiegelman's declaration that 'the future of comics is in the past,' Drawing from the Archives considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time. Dr. Benoît Crucifix is assistant professor of Cultural Studies at KU Leuven and re

When I decided to try my hand at interviewing authors for the New Books Network, one of my dream guests was Steve Mentz. Steve’s work in the environmental humanities marries a rigorous archival work, pathbreaking close readings, and a fluent and innovative approach to scholarly writing. I think he’s charted a course for early modern ecocriticism that has been both impressive and energizing. Steve Mentz is a Professor of English at St. John’s University. He has produced numerous books that have shaped the emerging field of the blue humanities, including Shipwreck Modernity; At the Bottom of Shakespeare’s Ocean; the Bloomsbury Objects entry Ocean; and the recent An Introduction to the Blue Humanities. He has published a chapbook of poetry, Swim Poems. His Bookfish blog is also a wonderful index for scholarly and creative work happening right now. Today, I am excited to discuss his most recent book of blue poetry, Sailing Without Ahab, just published by Fordham University Press in 2024. Learn more about your ad

During the Middle Ages, the Iberian Peninsula was home not to Spain and Portugal but rather to al-Andalus. Ruled by a succession of Islamic dynasties, al-Andalus came to be a shorthand for a legendary place where people from the Middle East, North Africa, and Europe; Jews, Christians, and Muslims lived together in peace. That reputation is not entirely deserved, yet, as On Earth Or in Poems: The Many Lives of Al-Andalus (Harvard UP, 2023) shows, it has had an enduring hold on the imagination, especially for Arab and Muslim artists and thinkers in Europe, the Middle East, and North Africa. From the vast and complex story behind the name al-Andalus, Syrians and North Africans draw their own connections to history’s ruling dynasties. Palestinians can imagine themselves as “Moriscos,” descended from Spanish Muslims forced to hide their identities. A Palestinian flamenco musician in Chicago, no less than a Saudi women’s rights activist, can take inspiration from al-Andalus. These diverse relationships to the same

Although we often think of friendship today as an indisputable value of human social life, for thinkers and writers across late mediaeval Christian society friendship raised a number of social and ethical dilemmas that needed to be carefully negotiated. On Amistà: Negotiating Friendship in Dante’s Italy (University of Toronto Press, 2023) analyses these dilemmas and looks at how Dante’s strategic articulations of friendship evolved across the phases of his literary career as he manoeuvred between different social groups and settings. Dr. Elizabeth Coggeshall reveals that friendship was not an unequivocal moral good for the writers of late mediaeval Italy. Instead, it was an ambiguous term to be deployed strategically, describing a wide range of social relationships such as allies, collaborators, servants, patrons, rivals, and enemies. Drawing on the use of the language of friendship in the letters, correspondence poems, dedications, narratives, and treatises composed by Dante and his interlocutors, Dr. Cogges

Recent decades have seen an unprecedented number of comics by and about Muslim people enter the global market. Now, Muslim Comics and Warscape Witnessing (Ohio State UP, 2023) offers the first major study of these works. Esra Mirze Santesso assesses Muslim comics to illustrate the multifaceted nature of seeing and representing daily lives within and outside of the homeland. Focusing on contemporary graphic narratives that are primarily but not exclusively from the Middle East--from blockbusters like Marjane Satrapi's Persepolis to more local efforts such as Leila Abdelrazaq's Baddawi--Santesso explores why the graphic form has become a popular and useful medium for articulating Muslim subjectivities. Further, she shows how Muslim comics "bear witness" to a range of faith-based positions that complicate discussions of global ummah or community, contest monolithic depictions of Muslims, and question the Islamist valorization of the shaheed, the "martyr" figure regarded as the ideal religious witness. By present

In this episode, Elizabeth talks with Steven Gonzalez, anthropologist and author of speculative fiction under the pen name E.G. Condé. They discuss the entanglement of politics, Taíno animism, and weather events in the form of a hurricane named Teddy. Steve describes the suffusion of sound he has experienced in Puerto Rico and the soundlessness at the heart of hurricanes, and tells us about his academic work on data centers, and a collaborative speculative film that imagines a world without clouds. Steve and Elizabeth reflect on current shifts within anthropology that are opening the discipline to other modes of expression, including speculative fiction, poetry, and creative nonfiction, in the tradition of Ursula K. Le Guin (the subject of a recent episode and of John's recent book Ursula Le Guin's Earthsea: My Reading) and of Arkady Martine, Byzantine historian and author of A Memory called Empire, and A Desolation Called Peace. As her Recallable Book, Elizabeth offers an anthropological space opera, The Exp

Glynne Walley, translator of classic Japanese novel Hakkenden, joins us on the podcast again to talk about his second translated volume: Hakkenden, Part 2: His Master’s Blade (Cornell East Asia Series: 2024). Unlike Part 1—which is all preamble!—in Part 2 we meet some of the fabled eight dog warriors and the Confucian virtues they represent: Shino, for filial piety; Gakuzo, for duty; Dosetsu, for loyalty. There’s betrayal, drama…and a lot of secret, intertwined family relationships. Glynne Walley is an Associate Professor of Japanese Literature at the University of Oregon and author of Good Dogs: Edification, Entertainment & Kyokutei Bakin's Nansō Satomi hakkenden (Cornell East Asia Series, 2017), the first monograph-length study of Hakkenden, a landmark of premodern Japanese fiction. Today, Glynne and I talk about Part 2, how the novel connected to readers at the time—and how Hakkenden ends up being a lot like our Marvel Cinematic Universe. Catch our first interview with Glynne on Part 1 here! You can find m

It’s the UConn Popcast, and today we discuss Netflix’s new screen adaptation of Chinese science fiction author Liu Cixin’s Three Body trilogy. We discuss the battle between the eye and the idea in film and television science fiction, and whether the new show strikes a successful balance. We consider some of the challenges involved in adapting this distinctively Chinese literary work for a non-Chinese audience, and what might have been lost in doing so. And we think more broadly about the genre of hard science fiction: to whom does it appeal and what is it trying to accomplish? Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Zakariyya Tamir is Syria’s foremost writer of short stories, and his works are widely read across the Arab world. In Zakariyya Tamir and the Politics of the Syrian Short Story: Modernity, Authoritarianism, and Gender (I. B. Tauris, 2023), the first English-language monograph on Tamir’s entire oeuvre, Alessandro Columbu examines Tamir’s literary development in the context of changing political contexts, from his beginnings as a short story writer for local magazines in the late 1950s until the Syrian revolution of 2011. Thus, the movements from independence and Western-inspired modernisation to the rise of nationalism and socialism; war, defeat, and occupation in the 1960s; the emergence of authoritarianism, and the cult of personality of Hafiz al-Assad in the 1970s are charted in the context of Tamir’s works. Therein, the significance of masculinity and patriarchy and its changing nature in relation to nationalism and authoritarianism are revealed as Tamir’s foremost vehicles for social and political critique

Zenithism (1921-1927): A Yugoslav Avant-Garde Anthology (Academic Studies Press, 2023) is the first-ever English language anthology of zenithism – an eclectic avant-garde movement that operated in the Yugoslav region between 1921 and 1927. The founder of Zenithism – poet Ljubomir Micić – envisioned the movement as a fusion of futurism, dada, constructivism, expressionism, and proto-surrealism, with the movement’s philosophy embodied in the figure of the Balkan Barbarogenius (barbarian-genius). A hallmark of the movement was its embrace of cross-genre writing, from Micić’s ciné-poem Rescue Vehicle and Branko Ve Poljanski’s lyric novel 77 Suicides to MID’s lyric philosophic treatise The Sexual Equilibrium of Money. Reaching the wider international audience for the first time, this anthology sheds light on an untapped chapter in European modernism. Aleksandar Bošković is Lecturer in Bosnian-Croatian-Serbian within the Department of Slavic Languages and Literatures at Columbia University. He is a scholar of Russi

The most exhaustive mapping of contemporary literary theory to date, Jeffrey R. Di Leo's book Contemporary Literary and Cultural Theory: An Overview (Bloomsbury, 2023) offers a comprehensive overview of the current state of the field of contemporary literary theory. Examining 75 key topics across 15 chapters, it provides an approachable and encyclopedic introduction to the most important areas of contemporary theory today. Proceeding broadly chronologically from early theory all the way through to postcritique, Di Leo masterfully unpacks established topics such as psychoanalysis, structuralism and Marxism, as well as newer topics such as trans* theory, animal studies, disability studies, blue humanities, speculative realism and many more. Featuring accessible discussion of the work of foundational theorists such as Lacan, Derrida and Freud as well as contemporary theorists such as Haraway, Braidotti and Hayles, it offers a magisterial examination of an enormously rich and varied body of work. Arnab Dutta Roy

Coins, flax, spinning wheels, mud, pigs. Each of these objects were ubiquitous in the premodern cultural representation of the Irish. Through case studies of these five objects, Colleen Taylor’s new monograph Irish Materialisms: The Nonhuman and the Making of Colonial Ireland, 1690-1830 (Oxford University Press, 2024) recovers the sometimes-oppressive, sometimes-liberatory meanings invested in nonhuman matter. Irish Materialisms collects a rich archive of material from William Carleton’s “Phil Purcel, the Pig Driver,” to the it-narrative The Adventures of a Bad Shilling in the Kingdom of Ireland, Gulliver’s Travels to Sydney Owenson’s The Wild Irish Girl. Colleen Taylor is Professor of English at Boston College. She has held the National Endowment for the Humanities Fellowship at the University of Notre Dame and an Irish Research Council Postdoctoral Award at University College Cork. Irish Materialisms is her first monograph. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by b

Narratives of Mistranslation: Fictional Translators in Latin American Literature (Routledge, 2023) offers unique insights into the role of the translator in today’s globalized world, exploring Latin American literature featuring translators and interpreters as protagonists in which prevailing understandings of the act of translation are challenged and upended. It looks to the fictional turn as a fruitful source of critical inquiry in translation studies, showcasing the potential for recent Latin American novels and short stories in Spanish to shed light on the complex dynamics and conditions under which translators perform their task.  Kripper unpacks how the study of these works reveals translation not as an activity with communication as its end goal but rather as a mediating and mediated process shaped by translators’ unique manipulations and motivations and the historical and cultural contexts in which they work. In exploring the fictional representations of translators, the book also outlines pedagogical

We often misuse the word melodrama with abandon, especially to characterize other people’s behaviors, but Greg Vargo defines it for us once and for all. Emerging in the eighteenth and nineteenth centuries as the predominant Western theatrical form, it is a genre of crisis. To that end, it employed hyperbolic language, extreme situations, extraordinary coincidences, stark oppositions and so on. Greg talks about his own ongoing work on melodramas about race, their histories of performance, and the storied career of the African American actor Ira Aldridge. Greg Vargo is Associate Professor at the Department of English, New York University. His research focuses on the literary and cultural milieu of nineteenth-century British protest movements and the interplay between politics, periodical culture, the novel and theater. His first book, An Underground History of Early Victorian Fiction: Chartism, Radical Print Culture, and the Social Problem Novel (Cambridge UP, 2018), won the 2019 North American Victorian Studie