Informações:
Synopsis
The Limited Fork show featuring POAMs: Products of Acts of Making in fulfillment of principles of Limited Fork Poetics: the study of interacting language systems, where the visual, sonic, tactile, and olfactory meet to form and reform (compelling) structures. Where focus on an intensely stabilizing area can still produce (forms of) sonnets that will maintain a particular form for only a limited period of time after which other structure(s) emerge, some of the emergence occurring across physical, sensory, and other dimensions.This podcast is the place where POAMS, products of acts of making, will evolve, for the idea (as well as the poams that come out of the idea) is dynamic, seeking ways to fulfill the need for expression that coincides with unfolding understandings of existence. At the end of one of the branching roots of LFP and at the tip of one of the branches is belief in the pleasure of making things, a pleasure increased by acts of making that understand and try to take advantage of the range of what is possible and available.BY FOCUSING ON INTERACTIONS, THE WHOLENESS OF THE ORGANISM IS EMPHASIZED. The LFP experiment will showcase successes and failures, for the dead ends, the branches that do not bear sweet fruit, edible fruit, or any fruit at all, nevertheless contribute meaningfully to the recognizable structure of the tree. Perhaps the beauty of the tree depends on the presence of some dead ends.Every week, there will be a visual or sonic episode (a branch) that reflects the current status of the ongoing study of interacting language systems. The LFP show will always present what is within its changing limits. Not (just) poems, but POAMS.To hear more music of Limited Fork, visit the Limited Fork Music podcast. For more Limited Fork movies, visit the Limited Fork Video Anthology to download the video work of student and other practitioners of what Limited Fork Poetics enables and encourages.
Episodes
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![Limited Fork Quality Control (CREW 2.0)]()
Limited Fork Quality Control (CREW 2.0)
07/12/2006 Duration: 25minA spoken poam for practitioners, dabbler or immersed, the curious and for the attendees --also for those who could not attend-- my CREW (Collaboratory for Reseach in Electronic Work) Seminar last week in the School of Information (north campus), a session during which an attendee in the remote West Hall (central campus)location asked me about the challenge of judging the quality of Limited Fork poams if there are no boundaries to what may achieve the status of poam. This audio poam comes from further consideration of the question and my response at the time. This is extended collaboration with the asker of the question. This audio poam also suggests ways to respond to work created outside the system of evaluation within which student forkers explore my Limited Fork learning opportunities. To the attendee whose name I don't know, thanks for asking. Thanks also to Mick and David for arranging my participation in CREW.
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![Why Fork? (Cheryls Q, My A)]()
Why Fork? (Cheryl's Q, My A)
01/12/2006 Duration: 24minAn answer poam for Cheryl's question about why a fork is the instrument of this poetics of interacting language systems, why a fork is the tool of choice for making. An answer poam for Cheryl that is also for the participants of the CREW seminar (for whom this answer poam is also a ladder).
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![Forks Ladders (an introductory audio map of LFP structure)]()
Forks & Ladders (an introductory audio map of LFP structure)
09/11/2006 Duration: 18minThis sonic poam is for Profjr!, and for any others curious about the basics of what happens when formal poetic structures are forked. Just a little bare-bones map of fork possibilities to consider when laboring through an act of making and hoping for multiples, but not necessarily identicals or even twins at all. If something's born on/in/over/under/through/with/navigating/zigzagging/climbing/opening/folding/unfolding [& so forth] the ladder, and you'd like to share it with me (and possibly other Limited Fork podcast subscribers), please send it to thyliasm@umich.edu. Thanks.
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![[the sound of] (Incredible) ACCESS]()
[the sound of] (Incredible) ACCESS
06/10/2006 Duration: 09minAudio extraction from the (Incredible) ACCESS video poam; a sound poam of only the words spoken about access, inspired by the occasion on which the MADD Poets Society of Toledo, Ohio came to the north campus of the University of Michigan. David Bush is Director of the MADD Poets Society.
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![Cosmic Bullets by Thylias Moss]()
Cosmic Bullets by Thylias Moss
21/09/2006 Duration: 04minpoetry as sound art (a poam) --companion to the 15-minute online poetry writing friendly competition at quickmuse.com (see the 27 June archived agon for the real time play back of the writing of the poem and to read the finished static piece)
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![Glory from LAST CHANCE FOR THE TARZAN HOLLER]()
"Glory" from LAST CHANCE FOR THE TARZAN HOLLER
20/09/2006 Duration: 27min2002 performance of "Glory" in which the poet speaks and sings the words, allowing the music composed and performed by Ansted Moss to reshape them for their occupancy of the sonic page instead of the 2D page.
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![The Song of Iota song]()
The Song of Iota song
20/09/2006 Duration: 21minSoundtrack from the first Limited Fork video piece "The Song of Iota," October 2004. The text of this piece, adapted from the video piece where the text was composed, also exists as a print object in Gargoyle 50.
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![Pi Song (to 100 places)]()
Pi Song (to 100 places)
14/09/2006 Duration: 03minsound art; a poam that continues a consideration of the theme of place value. also a companion (not a close relative) of the video art piece "Pi Complex," not yet part of the podcast.
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![The Culture of Funnel Cake song]()
The Culture of Funnel Cake song
09/09/2006 Duration: 04minsoundtrack from the experimental poetry short "the culture of funnel cake" from the early days of Limited Fork Poetics
