Wreckastow

that's it - innit?

This is love on the m25 by the crossingthe story is actually the plot of a horror film, you'll have to do the detective work yourself tho coz i've lost the bit of paper!

WestfaliaHappy Campers  - full albumtrack one: Jereboamtrack two : Liborian NRGtrack three: The Ambient Suite comprising of:1.Brisingamen2. Sid(dh)i Bou Såîd3. Moor(ish)track four: Trolls on Viagra (featuring Sting)track five: Make it Thine, revenge of the mysterons (Shamen extrapolation featuring Mr. C.)

this is my first ever remix of prince's batdance/200baloonsin memoriambtw, I encoded this in top quality mp3  VBR - big mistakeVBR is shite!!!

ruff mix of post modern stuff on the decks....

mysterious world dubstep remix

I should be so luck electro house remix

The accordion player d'n'b remix

This is it the actual end of josh phillips the collection so now I'm going to say all the negative things i havent mentioned yet first, joie from eatstatic said that westfalia sounded like music by some one who "thought too much" well in my opinion i think it sounds like very good music but them i'm the musician who wrote it so i would say that wouldnt i , i'm biased, whats youre excuse? the things that have been erased never to return will always hurt, the backing track to the cover version of flying by the beatles, the backing track to i wanna be your dog, the tape loop that me and preston created magic to, the tracks belonging to the crossing two point zero, the opportunitys lost with MONG IDC just beacuse the shreeve wanted to smuggle a bit of hash in our stomachs rather than foster my career, so turned us into squidge mules, got Steven to pick him up in eastcote after the lot had come out and kept all the money little money grabbing piece of shit and bone our führer told me the fucking little shit was a

Time to roll the closing credits on "Josh Phillips - the collection [2105 Re Masters]"to quote the late frank sinatra, "Regrets, I've had a few...." but we will have to wait 'til the epilogue for all the negative stuff, for now i'll just try to catch up with all the positive things I ought to have included which didn't fit into the mp3 comment boxes along the way.......in no particular order;ashley's stereo imaging throughout is consistently amazing - no matter what technology we were using - even when just tape bouncing he has always been able to see the stereo mix before we even laid the tracks downmatthew (doc) parker's innovations with primarily horrible nylon acoustic gitars and later the bass and electric even tho they lay back in the mix, are still truly innovative sounds, and then there's then invention of the silent samle whch we invented on the amstrad music machine and following that the sample editor where we could edit our samples "bit by bit" literally, all of these were just awesome!stevens voc

This is a cover but I dont know who did the original - perhaps the levellers?

Joffrey on drums, martin on guitar, martins bro or benny on bass not sure which, me on kybd and sacred text, julian on vox

this is the only track on josh phillips the collection which I have absolutely nothing to do with so I wont say anything about it.

This is The Crossing (any roman emporers are excused from sueing for defamation of charchter)

dharabuka by g. phillips, big drum by joffrey

a few extra bpm and a pinch of helium version

Obviously also by marillion!

also by Pink Floyd of course!

also by mssrs stock, aitken & waterman of course and the dreadful kylie (featuring special guest appearnce by the awful jason donovan!)

final definitive version of this song, tbh, by now what is it the 5th, 6th, 7th? remix of this it's getting about as exciting as glaciation....